Wedgwood sold this more desirable product under the name pearl ware.Įach company that made creamware, also sometimes called pearlware, had several variations in design, depending on the artists design concept. Around 1779, he was able to lighten the cream colour to a bluish white using cobalt in the lead overglaze. The most notable producer of creamware was Josiah Wedgwood. It served as an inexpensive substitute for Chinese export porcelain. Antique 19th century Coalport Porcelain Antique 19th Century Coalport Porcelain desert plate, coffee set, cup and saucer Copeland-Spode Porcelain Spode porcelain centre dish c.1820,A part Copeland-Spode topographical dessert service c.1852, painted with topographical views Antique Davenport Porcelain Fine Antique Davenport Porcelain desert plate, armorial plate 18th & 19th Century Derby Porcelain Antique 18th and 19th century Derby porcelain Liverpool Porcelain Antique Liverpool Porcelain, Seth Pennington's, Chaffers' factory, Philip Christian, William Reid Lowestoft Porcelain 18th Century Lowestoft Porcelain, Lowestoft blue and white, polychrome, teabowl, cup and saucer, Lowestoft figure.Creamware is a cream-coloured, refined earthenware created about 1750 by the potters of Staffordshire, England, which proved ideal for domestic ware. 1765, one modelled as Cupid with a bow and quiver tied at his side, the other as his female companion, a basket of flowers in her right hand. Alcock Porcelain c.1822-1859 Samuel Alcock porcelain c.1822-1859, dessert plate, cup and saucer Bow Porcelain 18th Century Bow Porcelain 18th Century Bristol Porcelain 18th Century Bristol Porcelain, Bristol Porcelain teapot, bristol cup and saucer Caughley Porcelain Caughley Porcelain A Pair of Chelsea Porcelain Figural Candelabra c.1765 A pair of Chelsea Porcelain figural candelabra c. We are happy to take any enquiries covering the subject and try to help and advise our clients delivering a valuable guidance in the journey of collecting.Īntique Porcelain & Pottery Blog Antique Porcelain Blog keeps you up-to-date with all additions and changes to the Web site. You can also find us on Ebay and Facebook under the user name: "ANTIQUE-PORCELAIN-ONLINE".Our price range is from £30 to £3000.We are member of English Ceramic Circle (ECC) and London Ceramic Circle (LCC).Īs many specialists say: "The most helpful source of learning is a dealer's shop" so please feel welcome to our site! Having the privilige to be based in London gives us the opportunity to have an easy access to some of the World's most famous Auction Houses, Antique Fair shops and markets. Our stock consists antique porcelain and pottery (table wares and decorative items) from all British factories: Bow, Chelsea, Derby, Coalport, Minton, New Hall, Ridgeway, Spode, Swansea, Worcester and a good range of articles from the major European factories like Meissen, Berlin, Nymphenburg, Sevres, Paris, Niderviller, Gardner, Ginori, etc.We also have a large selection of antique pottery and a variety of Orienthal ceramics. We hope this site will open the eyes of experienced collectors to new delights while introducing the newcomer to the pleasures of collecting and the lasing charm of antique ceramics. That's why our aim is to succeed in both informing and arousing enthusiasm. Today, however there is a third class of collector - the investor, who buys not only because of great love of the subject but also to seek a hedge against inflation and the lowering the value of the money and savings. Some people can purchase an object as an opportunity and purse permit, others tend to specialize in order to build an important collection showing the whole range of a specific subject and its development. In order to satisfy the increasing demand from collectors and enthusiasts at all levels the range of collectable items has widened enormously to include a dazzling array of affordable "china" that was once in every day use, from the humble cup and saucer to the jam pot and ewer. From the early 1870s onwards there was an enthusiasm for all things Japanese and at the century's end a curious mixing of Victorian Japanese and Victorian 'Renaissance, heralded as L'art nouveau. Also you must note the "Elizabethan" and "Gothic" romanticism of early Victorians, the naturalistic excesses of the mid-19th century and the phase of statuesque ceramics-white figures, white relief-moulded jugs. From the examples listed on our site you can see the simple outlines of the 1740s-50s, the mid18th century development of a delight in rococo and chinoiserie fantasy, the pseudo-classical interest in the 1760s, revived heavy-handedly at the end of the century, the substantial shapes of the Regency, the late Georgian revival of chinoiserie and rococo again.
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